Diego Pisador

Diego Pisador (c. 1509/10 – after 1557)

Professional Profile: Renowned Spanish Vihuelist and Renaissance Composer.
Historical Significance: Author of the Libro de música de vihuela (1552), a monumental collection of 16th-century music.


🖋️ Family Dynamics and Inheritance

The life of Diego Pisador was marked by intense family conflict, much of which was centered around his musical ambitions and the family estate in Salamanca.

  • The Inheritance Dispute (1550): Following the death of his mother, Isabel Ortiz, in September 1550, Diego inherited the “lion’s share” of the family fortune (specifically a portion known as the tercio y quinto). This significantly marginalized his younger brother, leading to a bitter and prolonged legal battle.
  • Father’s Changing Allegiance: Initially, his father, Alonso Pisador, supported Diego. However, the relationship soured when Diego threatened to marry and abandon his long-term project: a comprehensive book on vihuela music.
  • Exile from Salamanca: Upon his father’s return to Salamanca in 1551, the elder Pisador shifted his support to the younger brother. Diego was subsequently forced to leave the family home.
  • Estrangement: Historical records confirm that Diego sold the family house in 1553. Documents from as late as 1557 indicate that father and son remained deeply estranged.

🎼 The “Bobería del Libro” (The Foolish Book)

Despite his father’s disdain for the project—famously dismissing it in a letter as a “bobería” (foolishness)—Diego persisted in his work.

  • Publication (1552): Diego eventually published his masterpiece, Libro de música de vihuela, dedicating it to the future King Philip II.
  • Content: The collection is divided into seven books containing 95 pieces (or 186, if individual mass sections are counted). It is a vital source for:
    • Original Fantasias: Showcasing his skill in imitative counterpoint.
    • Intabulations: Arrangements of vocal works by masters like Josquin des PrezAdrian Willaert, and Cristóbal de Morales.
    • Vocal Music: 58 of the pieces are set for voice and vihuela, reflecting the secular tastes of the Spanish Renaissance.

📚 Legacy and Research

End of the Record: No archival information regarding Diego Pisador exists after December 1557, leaving the final years of the “Gentil Caballero” a mystery to historians.

Self-Published Success: Diego oversaw the printing of his book himself in Salamanca, utilizing the technical assistance of the printer Guillermo Millis.

Pisador_Fabordón.pdf

33.76 KB 40 Downloads

Pisador_Conde Claros.pdf

35.74 KB 28 Downloads

Pisador_La_cortesia.pdf

53.45 KB 43 Downloads

Pisador_Pavane.pdf

54.14 KB 35 Downloads

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